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BEGIN:VEVENT
UID:347@worldlisteningday.org
DTSTART:20260718T193000Z
DTEND:20260718T230000Z
DTSTAMP:20260707T061538Z
URL:https://worldlisteningday.org/events/sahul-sakti-rayhan-sudrajat-indo-
 aus-unspoken-rule-world-listening-day-celebration/
SUMMARY:Sahul Sakti + Rayhan Sudrajat (Indo/Aus) + Unspoken Rule- World Lis
 tening Day celebration
DESCRIPTION:Improvisation ensemble Sahul Sakti warmly invites you to join u
 s at the Creature Bar on Saturday 18 July 2026!\nOur performance marks Wor
 ld Listening Day. Created by the World Listening Project\, this day is abo
 ut celebrating the listening practices of the world and the ecology of its
  acoustic environments. We will consider the 2026 theme of 'treating liste
 ning as a way of knowing and relating to the world around us\, drawing att
 ention to sonic environments as sites of meaning\, memory\, and care.'\nWe
  are honoured to have Rayhan Sudrajat (Indo/Aus) and Unspoken Rule join us
 !\nwww.sahulsakti.com \n-------------------------------------------------
 \nAbout Sahul Sakti:\nSahul Sakti is an improvisation ensemble who transpo
 rts listeners around the world\, across sonic worlds\, across creative bou
 ndaries. We draw on our post-classical\, Brazilian\, Asia-Pacific\, jazz\,
  electronica\, folk\, and experimental music influences to create a sound 
 that is rooted in friendship\, imagination\, and a deep exploration of aco
 ustic possibilities.\nOur music is psychedelic\, atmospheric\, jazz-inflec
 ted\, with hints of electronica\, folk\, music from different parts of the
  world\, and our own unique irresistible global beat that will draw you in
 .\nSahul Saktians are: Huich Goh (violin)\, Michel Honegger (gendang\, per
 cussion\, silat)\, Rana Mitra (surdo\, pandeiro\, cajon)\, Henry Smithers 
 (electric bass)\, Paul Whitwood (drums)\, Inder Singh (samples).\nAbout Ra
 yhan Sudrajat\nRayhan Sudrajat is an ethnomusicologist\, modular synthesis
 t\, and PhD researcher at the University of Melbourne whose work moves bet
 ween academic research\, cultural inquiry\, and live performance. His prac
 tice explores sound as a medium of memory\, migration\, and belonging\, dr
 awing from Southeast Asian musical traditions\, fieldwork experiences\, vo
 ice\, sape\, and modular synthesis. Situated at the intersection of Indone
 sia\, diaspora\, and experimental sound\, his performances create immersiv
 e listening environments where electronic textures\, traditional sonic kno
 wledge\, and personal histories meet across past and present\, homeland an
 d elsewhere.\n&nbsp\;
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